Forward—or backward—for the 7-Eleven brand?

7-Eleven has raised some interesting brand questions with its current promotion to mod a handful of its stores to look like the hilarious “Kwik-E-Mart” from The Simpsons. Kwik-E-Mart is a biting lampoon of 7-Eleven itself. Thus, we have one brand embracing its opposite. What kind of brand strategy is this? Will it work?

In this post I ask a lot of questions, probe a few answers, and toss out some impressions, mainly so I can document the many brand issues (identity, mission, strategy, innovation, customer creation) that this brand mashup raises. I haven’t had time to structure this as tightly as I’d like, so forgive me if I bounce around a bit.

Can a brand mashup advance the brand?

One might ask: How can 7-Eleven advance its brand, and its customers, by symbolically joining with Kwik-E-Mart, which satirically undercuts what 7-Eleven stands for? Kwik-E-Mart is the anti-brand of 7-Eleven. In this brand mashup, where does one brand stop, and the other begin? In other words, where does 7-Eleven draw the line between the two brands, and the two sets of customers? This is critical, because the Kwik-E-Mart customers are laughable.

These are not academic questions. If 7-Eleven can’t define the difference between itself and its brand nemesis, it risks confusing its brand identity. In turn, this can reduce its options for brand growth, and open doors for competitors.

Moving the brand in the wrong direction?

Maybe my identity triggers are set too fine, but I sense this promo as being strategically limiting for the 7-Eleven brand. Yes, the promo will build some buzz. Yes, it will attract visitors, and maybe customers. And yes, it will be declared a rousing success as “brand theater,” “art imitates life,” “the brand as a stage,” etc. But, in spite of all this, it threatens to sink the brand into its biggest weakness, and that—in the long term—can’t bode well for 7-Eleven.

First: the marketing logic

Let’s first visit the marketing logic behind the promotion. As the hard-nosed marketing voice in the back of my mind might say: “No need to worry; this is marketing 101. It’s just a limited tie-in to an upcoming Simpsons movie. It will leverage the movie pub to punch up 7-Eleven sales. There’s nothing deep or symbolic or confusing about it. Brand is not an issue. It’s just fun, in a fun context. Let’s not forget that we’re talking about a convenience store. No one mistakes it for Harvard or Whole Foods. Customers whip in for beer, cigs and snacks. Inside, the brand experience is somewhere between a Slim Jim and a Big Gulp. The aisles are meant to be the apotheosis of low-brow brands, the antimatter of nutrition facts. That’s the 7-Eleven formula, perfected over decades. It brings in the dough, and its customers love it.”

Free advertising

That marketing voice continues: “Moreover, the funny Kwik-E-Mart scenes on The Simpsons are the best (free) advertising 7-Eleven can get. They validate the brand in fictional space—which for most 7-Eleven customers is no different than real space. In truth, 7-Eleven is only giving its customers what they want: their own stage touched by fame and celebrity. Visiting a make-believe Kwik-E-Mart is like getting a mini Disney World every time you bust in for a Big Bite.

“Finally, most 7-Eleven customers think the Kwik-E-Mart dress-ups are totally cool. So how can this be ‘bad’ for 7-Eleven?”

God, I hate that voice. It doesn’t yet understand that brands run on brand logic, not marketing logic. More on this below.

What does Kwik-E-Mart add to 7-Eleven?

The staged Kwik-E-Mart’s will certainly attract curiosity seekers. People who never patronize 7-Eleven might want to see a full-size fake Chief Wiggum, and maybe contemplate the bowels of a real-life Squishee.

From the news article cited above:

The Fox/7-Eleven deal is an example of a practice called reverse product placement. Instead of just putting products prominently in a movie or TV show, fake goods move from the screen to reality.

Maybe—or maybe not. What if 7-Eleven is not importing “fake goods from the screen to reality” but is instead importing the reality of satire into the live world of 7-Eleven retail, where that satire cuts to the bone? How will that build the 7-Eleven brand, other than to confirm its essence as the butt of a 15-year joke?

The Simpsons as mischievous mascots

Are the Kwik-E-Mart facades intended to persuade us that The Simpsons characters are now the endorsers of 7-Eleven, and not its satiric tormentors, thus turning reality on its head and making the satire “go away?” In other words, can the Kwik-E-Mart promos regenerate Bart, Homer and crew as playful decoration and lovable sprites, without their bite and edge? Can it reincarnate them as mischievous mascots, reducing them to a form of “packaging?” That may be part of the plan, but if so it may lead to a deeper brand problem.

Lowering customers to the Kwik-E-Mart level?

In Springfield, the usual customers of Kwik-E-Mart are dimwits and the hopelessly alienated. When 7-Eleven brings Kwik-E-Mart to life, as an alter ego of its brand, where does it draw the line between Kwik-E-Mart and 7-Eleven customers? Or is it really erasing that line?

In my view, that line has to be drawn because Kwik-E-Mart is the home of low-performance customers. Generally, they’re losers. They pinball through life and return little benefit to the brand. They’re at the bottom of the brand chain. If these same customers are the intended hard core base of 7-Eleven, then the 7-Eleven brand is forfeiting growth into attractive markets beyond that base. In effect, 7-Eleven is saying to the world: “We have seen our future, and it’s Kwik-E-Mart. Their customers are our customers.”

Is Kwik-E-Mart the “real” 7-Eleven brand?

One could argue that 7-Eleven might see Kwik-E-Mart as much more than a way to inject some color into the 7-Eleven brand. Perhaps it views Kwik-E-Mart as the model of a new 7-Eleven, made-up and made-over. If this promo clicks, why not just change all 7-Eleven stores to “Kwik-E-Marts,” and make the transformation permanent, with all the Simpsons add-ons? Every 7-Eleven would then look like something out of Las Vegas, a convenience spectacle, with Fox managing the identity show and 7-Eleven manning the till.

A move like this would solve two problems: it would inject bolts of energy into the 7-Eleven brand, raising it to a new level, and it would co-opt the satire of The Simpsons.

7-Eleven could use its own brand imagination

There’s an easier solution to freeing 7-Eleven from Simpsonesque satire, however. Why couldn’t 7-Eleven use its own brand imagination to build a brand that makes the Kwik-E-Mart satire irrelevant? Just rise above it. Or create sufficient brand distance to free 7-Eleven to grow in a context that it creates for itself.

And just to be clear on terms:

Brand Imagination
The quantum leap in thinking that separates value-rich brands from value-corrosive concepts. It’s the difference between iPod and “Internet appliance.” The former plugs into the customer; the latter plugs into a wall.

Kwik-E-Mart: a value-corrosive concept

Springfield’s Kwik-E-Mart is the epitome of a “value-corrosive concept.” It creates dysfunctional customers in its own image, and we laugh our heads off. A healthy 7-Eleven brand would never want to adopt Kwik-E-Mart as its alter ego, for two reasons. First, it means that 7-Eleven would become a brand of cynicism, and that’s neither desirable nor sustainable. Second, it would drastically limit the kinds of customers the brand could create. It puts a cap on its own brand creativity.

Sinking into the base

In this light, 7-Eleven’s Kwik-E-Mart embrace, even if temporary, signals a brand vulnerability that (to my mind, at least) threatens to sink 7-Eleven into the raw “junk culture” mode that’s so worthy of satire in the first place. It narrows the brand, instead of freeing it to a wider context with more customer growth options. The more that 7-Eleven’s “base” customers resemble the customers of Kwik-E-Mart, the less leverage 7-Eleven has to try something new.

Brand logic vs. marketing logic

As I see it, the logic of brands is different from the logic of marketing. Brands grow customers. Marketing targets them. After decades in business, 7-Eleven is riding the crest of a mature marketing model. It can continue to monetize its known customer base, containing and riding that base as long as possible, or it can begin to create customers for a wider future. Monetizing is the work of marketing; creating customers is the work of brands.

Marketing logic would dictate that 7-Eleven use Kwik-E-Mart as a fictional endorser of the 7-Eleven brand, to defuse (or co-opt) the satire and add some zest to the stores. If customers can’t see the satire, then The Simpsons becomes pure (indirect) advertising for 7-Eleven.

In contrast, brand logic would argue that the Kwik-E-Mart model muddies the 7-Eleven brand and stifles brand innovation, leaving 7-Eleven trapped in its past. Brand logic would try to create a new customer for 7-Eleven’s future.

Kwik-E-Mart and 7-Eleven’s Brand Future

The Kwik-E-Mart promo would suggest that 7-Eleven currently isn’t too interested in moving away from its historic comfort zone of customers. Actually, it may see its future more in Kwik-E-Mart than in anything it can plan for itself. Of course, there’s risk in this approach. The classic convenience store market will change, if it isn’t changing already. Do legions of retired baby boomers want Slurpees? Will food shoppers raised on organics want Go Go Taquitos? Or will they seek their convenience in neighborly chains? Why will the millions of customers created by Starbucks, Apple and Facebook need a 7-Eleven in their lives?

Top Photo: johnnymetro — Flickr
Inset: sylvar — Flickr
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2 Responses to “Forward—or backward—for the 7-Eleven brand?”

  1. mightydreadlocks Says:

    I disagree, I think its a gutsy move that is paying off in the short term with buzz and sales, and in the long term as the start of a solid brand building effort.

    what they have done is inarguably cool. (perhaps some of the present customers might be insulted, but they probably don’t watch the simpsons anyway.) if you agree with that, let me make the case that its not just a short term thing.

    yes, the simpsons take on convenience stores is a cynical and derogatory one (but then again, isn’t the show cynical about everything?). but 7-eleven’s present brand image isn’t exactly sterling either. so kwik-e-mart is kind of a facing reality and embracing your critics sort of thing. And like an addict hitting bottom and deciding to go into rehab, this is the start of a brand recovery.

  2. Brian Phipps Says:

    Thanks for the comment. You identify a lot of the key issues, and most marketers would agree with you. Others have called it “courageous” and “brilliant cross promotion.” Given where the 7-Eleven brand is coming from, that’s certainly true. But I just don’t see it as adding up to something that advances the brand—and 7-Eleven customers—in a way that can be strategically sustainable. To my mind this promo is 99% cosmetics, a way of dressing up some stores with posters and facades without really digging into brand internals and reconstructing the customer experience. The only difference via the promo is some superficial cartoon characters, which, as cool as they are, don’t really add up to much for customers. It’s like putting fuzzy dice and spinners on an aging Ford Mustang instead of pulling the head and pumping in some serious horsepower.

    I guess what I’m saying is that at the end of the day, 7-Eleven gets to play The Simpsons for a bit, but is still the same 7-Eleven as before. There’s no real change to the brand, or to the customer. And you’re right, that “regular” 7-Eleven brand leaves a lot to be desired. It’s never seemed like a happy place, or an interesting one. To me, 7-Eleven is a business that’s “brand recessive,” and in today’s world that makes it vulnerable.

    BTW: I don’t think The Simpsons is “cynical” at all. It exposes cynicism (and hypocrisy) in others. We laugh at the the result. In my brand framework, 7-Eleven becomes a ” brand of cynicism” only when it uses brand elements (like the Simpsons) to make customers think they’re special, while keeping them locked in the same place.